Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
CD – cave12
This album utilizes 85 sessions of hybrid “audio paint” system HighC/UPIC and field recordings of fallen snow, breaking bones, magnetic filed and insects. The system is a structural model →
CD – 23five
This interpretation of Helmut Schäfer’s free score features muted tones from a pipe organ, electronics, a hair dryer, a gong, a violin and an intermittent flux of percussion. →
CD – Pogus
Pogus has released the new project by Enzo Minarelli, a sound poet, theorist (see his 1987 manifesto on Polypoetry) and experimenter very attracted to the concept of word drifts. →
CD – Ash / Touch
It is always difficult to begin discussing new releases by Christian Fennesz. Maybe this is due to the size of his personality, or perhaps it is the complex →
3xLP – Art Kill Art
Four turntablist djs improvise without a prearranged theme and record the performance separately on the same number of tracks. The arrangement is then presented using a special vinyl →
CD – Zerokilled
Skillfully drawing on his expertise in a number of areas (including electronic, free improvisation, jazz, minimalism and ambient music) Emanuele De Raymondi’s work is formed exclusively from a →
CD – Aagoo
The imaginative ambient sounds in this record were captured in four different rooms by Friulan sound-artist Cristiano Deison, a very ethereal manipulator not new to the international scenes, thanks to →
CD – Heavy Listening
Wow is faithful to the implicit statement of intent in its title. The vinyl confines itself to ultralow frequencies at the limits of human perception and is supposed →
CD – Gruenrekorder
Between 2010 and 2011 Rupert Cox and Angus Carlyle captured a broad collection of audio recordings that focus on the planting and harvesting of specific →
CD – Illegal-Art
Inspired by a seminal text written in the late sixties by Bruno Munari and Davide Mosconi, the turntablist and cut-up artist Filippo Paolini – based in →
