Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
Bloomsbury Academic, ISBN-13: 978-1623567453, English, 376 pages, 2013, USA
More than a decade after his best seller “The Language of New Media”, and five years after he started to post drafts on mailing lists, the new Manovich book is finally →
CDR 3″ – 1000füssler
Olaf Hochherz is a specialist. His CDR and mini-albums, released between 2007 and 2013, were released on very underground labels such as Desetxea, Naivsuper and Kwanyin. Now on 1000füssler, he presents us with a 50 copy →
CD – Lom
Now available on the shelves of Bandcamp is an anthological release focused on the multiform productions of VooDooMan. The album has been released under the trademark Lom, a Slovakian experimental label focused on postmusic and new art. →
Strange Attractor Press, ISBN: 978-1907222207, English, 194 pages, 2012, USA
The EVP (Electronic Voice Phenomena) has been a must in experimental and underground audio scenes, terrifically combining the aura of the electronic medium (decoding radio and sound waves) with the esoteric →
12″ LP – Kvitnu
Hiding behind the moniker Matter, Fabrizio Matrone from Bologna is a member of Kvitnu and an electronic manipulator focused on compound electronic sounds that are highly rhythmic and analogue. This latest release follows Solid State, published →
2CD in DVD box – Monotype
Over the last few decades many people have paid homage to Albert Hofmann, the ultra-famous Swiss chemist who meritoriously synthetized LSD-25. In 1993, at the height of the rave wave that reached as far →
The MIT Press, ISBN-13: 978-0262518284, 192 pag, 2013, English
The fascination with “big data” – usually referring to a huge quantity of digital data and an attendant piece of powerful software that trawls it looking for new correlations – is →
University of California Press, ISBN-13: 978-0520257559, English, 344 pages, 2012, USA
Douglas Kahn is one of the most inspiring scholars dealing with sound and art. He’s able to accurately track historically compelling behind-the-scenes facts, while retrieving and connecting visionary trajectories →
CD – Rat
Our initial impressions of this intricate and suggestive work were of electroacoustic improvisations melding with jazz influences. These elaborations have been produced by an ensemble that goes under the moniker of The Bureau of Atomic Tourism, a →
CD – Cronica Electronica
From Crónica Electronica come ten new reinterpretations, reflecting on “the end of vinyl or the end of the world”. Although there is some underlying thematic irony here, the Portuguese label has maintained its customary formal accuracy →
